Biblio
Found 416 results
The Great Transformation. Boston: Beacon Press, Submitted.
. “The Grey Commons - Strategic Considerations In The Copyfight”. 22Nd Chaos Communication Congress . 22Nd Chaos Communication Congress . Berlin, Submitted.
. “Playing A Different Tune”. Information Today. Information Today, Submitted.
. Technological Accommodation Of Conflicts Between Freedom Of Expression And Drm: The First Empirical Assessment. Cambridge: Centre for Intellectual Property and Information Law, Faculty of Law, University of Cambridge, Submitted. http://www.law.cam.ac.uk/faculty-resources/download/technological-accommodation-of-conflicts-between-freedom-of-expression-and-drm-the-first-empirical-assessment/6286.
. “Automation, Cybernation And The Art Of New Tendencies (1961-1973)”. Goldsmiths, University of London, 2012.
. “Kreative Milieus”. In Vergessene Zukunft: Radikale Netzkulturen In Europa, 19 - 26. Vergessene Zukunft: Radikale Netzkulturen In Europa. Bielefeld: Transcript, 2012.
. Vergessene Zukunft: Radikale Netzkulturen In Europa. Bielefeld: Transcript, 2012.
. Energy. Acoustic Space. Vol. 8. Acoustic Space. Riga and Liepaja: RIXC & MPLab of Liepaja University, 2011.
. Networks And Sustainability. Acoustic Space. Vol. 10. Acoustic Space. Riga and Liepaja: RIXC & MPLab of Liepaja University, 2011.
. Race Against The Machine. Digital Frontier Press, 2011.
. “45 Revolutionen Per Minute”. In Was Tun: Figuren Des Protests : Taktiken Des Widerstands : Ein Reader Des Faestivals Basics, Medien-Kunst-Gesellschaft, 12 - 27. Was Tun: Figuren Des Protests : Taktiken Des Widerstands : Ein Reader Des Faestivals Basics, Medien-Kunst-Gesellschaft. Salzburg and Vienna: Müry Salzmann, 2010.
. “45 Rpm.- 45 Revoluçoes Por Minuto (Historia Da Midia Em Alta Velocidade)”. In Mediações, Tecnologia E Espaço Público: Panorama Crítico Da Arte Em Mídias Móveis, 99 - 118. Mediações, Tecnologia E Espaço Público: Panorama Crítico Da Arte Em Mídias Móvei. Sao Paulo: Conrad Do Brasil, 2010.
. “Autonomy And Control In The Era Of Post-Privacy”. OPEN, Cahier on art and the public domain, no.19, 2010.
. “Email-Interview With Giovanni Anceschi By Armin Medosch”. unpublished, 2010.
. Mediações, Tecnologia E Espaço Público: Panorama Crítico Da Arte Em Mídias Móveis. Sao Paulo: Conrad Do Brasil, 2010.
. Art And Electronic Media. London; New York: Phaidon Press, 2009.
. Dialectical Materialism. Minneapolis: University of Minnesota Press, 2009.
. Dialectical Materialism. Minneapolis: University of Minnesota Press, 2009.
. Digital Britain Final Report. Department for Culture, Media and Sport,Department for Business, Innovation and Skills, 2009. http://www.culture.gov.uk/images/publications/digitalbritain-finalreport-jun09.pdf.
. “Editorial Note: Grassroots Power / Info-Rhizome”. In Info-Rhizome: Report On Independent Media In The Chinese-Speaking World (2008/09), 1-4. Info-Rhizome: Report On Independent Media In The Chinese-Speaking World (2008/09). Hong Kong: Hong Kong In-Media, 2009.
. Escape The Overcode: Activist Art In The Control Society. Amsterdam and Zagreb: Van Abbemuseum/WHW, 2009. http://brianholmes.wordpress.com/2009/01/19/book-materials/.
. “Hong Kong: The Rise Of A New Political Force”. In Info-Rhizome: Report On Independent Media In The Chinese-Speaking World (2008/09), 48-68. Info-Rhizome: Report On Independent Media In The Chinese-Speaking World (2008/09). Hong Kong: Hong Kong In-Media, 2009.
. Imaginal Machines: Autonomy And Self-Organization In The Revolutions Of Everyday Life. New York: Autonomedia, 2009.
. “Libre Society Manifesto”. Journal Of Hyper(+)Drome.manifestation. Journal Of Hyper(+)Drome.manifestation. Hyperdrome, 2009. http://journal.hyperdrome.net/issues/issue1/libresociety.html.
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